Відео

Nope. The backing track is vaguely based on "Unforgiven" I think.

Thanks a lot!

Here you go ua-cam.com/video/-YytDntGP80/v-deo.html

Thank you very much.

It is possible that you would damage the tuner pedal unless it is specifically designed to take a 12V supply. I always use a daisy chaining I run out of power supply outputs. Doubling up Analog pedals such as overdrive, distortion or Fuzz is usually not a problem as they tend to have low power draw and there's no clock signal that can possibly sneak out via the power cable and cause noise, which is the case with digital pedals.

Thanks. I pretty much grab random tracks off of UA-cam and do a couple a week. Which is weirdly full circle as I used to do this using the tracks you got on guitar magazine cover CDs. Only back then I’d track using a Sansamp pedal plugged into a 4 track Fostex tape machine 😎

Thanks. Amazing what you can do recording direct using a $50 pedal these days.

Thank you! Cheers!

Thanks for watching

Thank you very much

Thank you! Cheers!

It's a snarler alright.

Thanks, but are you Inspired to play, buy a Tank G, or buy a PRS? Just play!

Hence I mentioned it in the video description. It is motherboard RF “chatter” and it is getting worse.

@@omikl oh yeah well shiet, idk if this is just a hobby but if you want to actually pop off need to fix that recording issue, all these kids have such clean setups.

I found a work around today. I used to run the following set-up: Guitar into an ART Passive DI via a cable. Passive DI In/Thru out to the am via cable, and an XLR from the DI out to the audio interface. With that set up I found that I had a choice of two evils. I could either lift the ground on the DI to clean up the audible interference on the Amp signal and get awful noise levels on the DI signal, or clean up the DI by grounding the DI box in which case the Amp interference became unusable. Today I had an idea and with the ground selected on the DI I used a wireless to connect the DI In/Thru signal to the amp. This eliminated the direct ground connection between the PC and the Amp input, thereby removing most of the "chatter" from the amplified signal. It is not 100% clean as the guitar is still picking up some of the interference form my electrically noisy PC, but it is 90% of the way there.

It’s a lot more dinged up than it to appears to be here 😎

I used the default of 1000. The amp profiles were actually trained from a NAM profile I made because I didn’t want to re do the re-amping session.

@@omikl I see, but based on my experience, I recommend to train more the wavs 10k to 50k to really achieve a well defined gain from the original signals. But, overall it's good.

I have never used more than 1000 Epochs when training profiles for GuitarML and NAM, so I stuck with 1000 for Tank G. I have noticed the the loss level reduction tails off after about 500 epochs.

@@omikl Maybe you want to try and train some of my captures from NAM?

I thought I was already wented 😎

Thank 'ee kindly.

Thanks

"Ooooh" good or bad?

Most of my audience is in the USA & UK, and I am in Malaysia. Anytime I am awake, they aren't gonna be watching!

I am currently in a band, but due to one thing and another, singers quitting (3 in two years!), venues going out of business, venues not paying bands, and the usual, we have only played out 4 times since 2022.

Thanks a lot! This is my release following a three hour practise for a wedding gig.

Disclaimer. I am a self taught player whose grasp of music theory is tenuous at best. I am basing this out of the Bmin pentatonic, but I am also targeting chord tones, adding chromatic passing sequences, and using the major, minor, and major 7th triads that sit in that scale’s pattern. However, this is an “after the fact” awareness of what I am doing when I play rather than conscious compositional choices that I am making while improvising. I don’t think of scales in terms of “positions” as when I learned the pentatonic scale I initially did so as the pattern that alternates 2 and 3 notes per string and runs “up the neck”. This effectively links the “2 notes per string” pentatonic scale positions and gets you used to “floating” up and down the neck.

@@omikl Thank you very much!

Tim Pierce just covered it better than I can: ua-cam.com/users/live5JjyrNMM0l4?si=ks2nUHXoEc6XlC_R

Thanks. It's a Neural Amps Modeler profile of my Ceriatone OTS Mini 20 amp which can be found on tonehunt.org

The resemblance isn’t as flattering as it once was 😄

Thanks a lot!

The video, the device, or both? I must admit that I have not used this since I got my hands on Guitar ML Proteus, Neural Amp Modeler, and Two Notes’ Genome. So I take a DI feed of my guitar signal and process it using one or more of those plug-ins. This unit sits in my bag as a glorified back-up DI. Allegedly these LY Rock copies were based on an early prototype of the Simplifier and are also prone to being quite variable in terms of the performance of each particular unit.

Glad you like it

Thanks mate!

Thanks mate.

Thanks. Love the handle!

Sorry, no.

Thanks for watching

🤓

Terima kasih

Cats can also comment 😎

Thanks 👍

Nah. Am a Ponte lad me tha knows

More like "dimly illuminated old man" but I appreciate the sentiment 😀

Appreciate it!!

Thanks for listening. I rushed this video out and forgot to attribute the backing track. Oops.

Terima kasih dari Malaysia 😎

Cheers Raggy.